Reviewers describe the author Tessa Hadley as being “a meticulous stylist” (National Public Radio); “clear-sighted” (The Guardian); and “a close observer of her characters’ inner worlds” (New York Times Book Review). The consistency of these descriptions (“Hadley’s craft is expertly honed…” Irish Times) told me here is an author I need to experience. In other words, she’s too important to overlook.
Naturally, when I picked up her new collection of short stories, Married Love, I expected to be stunned with the power literature can deliver, but by the third story, I was underwhelmed. What was I missing? I didn’t experience her widely praised precise style and acute perception. I didn’t find myself surprised by exceptional storytelling. But I also didn’t doubt it existed — one can’t be the expert with all types of books and writing — yet I couldn’t believe I’d be so far out of the loop. I put the book down.
Weeks later, looking for a story to read in a limited time slot, I picked it up again and began reading “The Trojan Prince,” the fourth story. I figured I’d chug through it, but then it happened. I was reading as if on a different level, caught up in Hadley’s precise illustration of how we chose adventure over the ordinary, experiencing this common desire with a kind of “aha!” discovery as a boy becomes friends with his more wealthy cousin and another distant relative. And then, her language — it had begun to sing for me — “The two girls pet James and tease him as if he were a pretty, comical doll.”
Was it just this story? I paged back to the second story, “A Mouthful of Cut Glass,” and saw Hadley’s talent again now, as not before, the unique discernment. Here it pierces how we discount our roots when we leave home as university students, but then fall back into our childhood mentality when we return home. “The past’s important,” a character says in another story, “The Godchildren,” and we come to understand Hadley is pressing this point — no matter how much we disassociate from family relations, the impact they have on us remains.
Some switch flipped and turned me on to Hadley’s fine storytelling, and it stayed on ’til the end of the collection. I marveled at how she unravels the small burdens that stamp our lives and how I could experience them with fresh understanding. Yes, the fiction of Tessa Hadley is not to be missed. Even so, not everyone will enjoy Married Love. The stories may be too uneventful in plot, too subtle in conclusion, and yet, therein is their power. If you want to see life in its pinpricks of light, I recommend the collection and suggest you start with “The Trojan Prince.”
Tessa Hadley is the author of four novels: Accidents in the Home, Everything Will Be All Right, The Master Bedroom and The London Train. Married Love is her second collection of short stories. Her previous collection is Sunstroke.