Books are our friends, at least for those of us who read them and clutter our homes with them. But when I was struck with unfathomable sadness recently from my father’s emergency surgery and then death, these friends dried up on me. I stared at open pages of print while I sat beside him in his hospital room. I read sentences two and three times and, if I got through a paragraph, often I had to return to the beginning and read the paragraph again. I struggled to remember plotlines. At home, late at night, unable to sleep, I tried reading out loud but got lost within the sounds of my voice. I would put a book down. I would start another one and then repeat the process. I became anxious in my longing to find solace in the familiar land of literature as I kept attempting it without success. And then I picked up David Connerley Nahm’s new novel, Ancient Oceans of Central Kentucky, the friend that stopped the spin.
With emotional precision, Nahm wholly engages us in the story of protagonist Leah Shepherd’s lifetime grief over the disappearance of her brother Jacob when he was seven and she was 10 years old. The inventive plotting navigates past and present with elegiac unfolding that reveals Leah’s isolation built with walls of loss and guilt. She is the executive director of a nonprofit organization that supports low-income women and children in Crow Station, Kentucky, where she grew up with Jacob. It is here we experience their lush childhood days and, three decades later, Leah’s adult work life.
Jacob and Leah are “rippling reflections of one another,” a brother and sister entwined as they romp with unfettered innocence through and around Crow Station’s yards and driveways, woods, pastures, streams and lakes, surrounded by smells of lilac and manure. They share a bedroom, and most nights Jacob crawls into bed with his big sister, scared of a menacing creature. He’s always afraid, it seems, and doesn’t want to leave her side. Every Sunday morning he fusses, cries and resists going to church, threatening to run away. He complains about a strange man in the backyard that no one else sees. Leah plays with Jacob’s fears, teasing and terrifying him, and then backing off to comfort him.
The prismatic scenes magnetically lure us toward the day of Jacob’s disappearance, but we can only know what might have happened because Leah knows only the how, what and why of it in murmured possibilities. We observe her deep yearning, thinking and hurt about her past while she’s at work, helping the disadvantaged women. A most notable, symbolic moment occurs when she buys herself a blue VW Bug, reminding us of a plastic toy replica she once gave Jacob for Christmas. Strangely, an unfamiliar man repeatedly tries to contact Leah at her office, but she ignores him. Amid the drama, we are comforted by the Kentucky environment, depicted as an ocean that rises up and floods our senses with atmospheric images of its terrain, mood and small-town humanity.
Many novels are being published with plots centered on the mystery of a missing child, including Bret Anthony Johnston’s newly released Remember Me Like This, let alone Alice Sebold’s famously popular 2002 bestseller The Lovely Bones. Ancient Oceans of Central Kentucky holds a solid, laudable place in this fictional category with its impressionistic, recollective and worried style. You cannot help but be transfixed.
One Sunday morning, before church, Leah does not respond to Jacob’s predictable and annoying, pouting protests as he storms out of the house, and that is the morning he disappears. She is forever haunted, and so are we.
Why this book worked and others didn’t I can’t know for sure. I suspect it’s because of the atmospheric draw and the sympathetic connection to a world of grief. As I write this, I wonder if it’s fair to the author that I position his book as I have, framed in the significance it played during days I spent consumed with worry and sadness – because I wonder if that overshadows what simply needs to be known about this book, being its top literary quality, a story for any time. But what greater praise can one give a book than to say, of all the books available during a difficult time in my life, this one became my friend.
7 thoughts on “Rippling reflections in grief”
This sounds like an excellent book that I will plan to read in the near future. I’m so sorry for your loss, but am glad you found solace in Nahm’s beautiful prose.
It’s an unusually good book, especially in how it’s structured. The writing is gorgeous. I hope you enjoy it!
Kassie, I will be looking for this book. I offer my sympathy to you and your family. I worked in your father’s office in the late 70’s and remember him with fondness. When I found your blog several months ago I was so pleased.
HI Sandy, I remember you! Thanks so much for checking in here. I’ll mention you to the family. All best.
Thank you for sharing this intimate experience. Those who care about you are all sending good thoughts in these hard times and wish we could bring you some relief. In the end, it’s good to know that books can comfort when we most need them…..and perhaps when other people cannot.
Hi Laralyn, Thanks for your kind thoughts. So many have been supportive. And so many who knew him are shocked and saddened. It is in the middle of the night, especially, that the book is the friend.
I’m so sorry to know you’ve been through a difficult time. I”m sure your father was very proud of your success. That must be a consolation to you.
Thank you for your interesting reviews.
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