February 14, 2017
Fever Dream by Samanta Schweblin
When setting out to read this creepy new novel, be prepared to be initially confused over who is speaking and why. That’s because Samanta Schweblin doesn’t spell out what’s happening with dramatic set-up or a comforting prologue. Instead, she drops us directly into a nightmare where we are as clueless about what’s going on as the two main characters in conversation. It’s a brilliant technique. The initial confusion doesn’t last beyond the first two or three pages. Soon you’ll come to understand the conversationalists are Amanda, who is dying in a rural hospital, and a boy named David, who is sitting on her bed and interrogating her about the cause of her abrupt illness. He insistently urges the feverish woman to concentrate on what’s important, to not waste time, to be observant. “We have to find the exact moment,” he says in this cautionary tale. “We want to know how it starts.” I can say without a doubt the story creates a page-turning frenzy right up to the end. Highly recommended for everyone, but especially for fans of Jeff Vandermeer’s Annihilation.
Six Four by Hideo Yokoyama
Readers of The Longest Chapter may recognize this book. I wrote about it last summer, when I read in publishing periodicals that it sold more than one million copies within the first week of publication in Japan. Six Four wasn’t available in the U.S. at that time, but it is this month, and if you’re looking for a gripping wallop of a book, this is it. What’s so surprising is that much of the narrative is about the politics and bureaucracy of police work in Japan. That sounds dry, but it’s just as fascinating as the sensational, unsolved kidnapping from 14 years ago that is generating questions. Press director and former criminal investigator Yoshinobu Mikami must arrange a visit by the police commissioner to the girl’s father on the latest anniversary of his daughter’s disappearance and murder, but the father refuses to see the commissioner. Mikami can’t figure out why, and he’s finding other matters related to the case that are resulting in a maze of official closed doors. The page count is daunting, at just over 500 pages, but don’t let that intimidate you. Yokoyama’s captivating narrative, short chapters and unusual police scenarios should have you hooked before page 100.
The Shadow of the Wind
by Carlos Ruiz Zafón
Anyone who already has read this intriguing page-turner will attest to its addictive plot. This international best-seller, originally published in the U.S. in 2004, begins with a rare and used bookstore owner taking his 10-year-old son Daniel to the Cemetery of Forgotten Books, an ancient, vast library that’s “a labyrinth of passageways and crammed bookshelves” where “…books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new reader’s hands.” Visitors are allowed to take and become the keeper of one book, and Daniel selects The Shadow of the Wind by Julián Carax. He’s completely entranced by the story and wants to read more books by Carax and discovers someone has systematically been destroying them. Indeed, Daniel may now own the one remaining copy of Carax’s literary efforts. His need to know why, and what happened to Carax, takes us into an engrossing world of mystery, murder and doomed love in 1940’s bookish Barcelona. The plot perfectly twists and turns in so many perplexing directions it’s hard to turn out the reading light and go to bed.
January 26, 2017
In 1965, Harper & Row published John Ball’s In the Heat of the Night, and in 1967 the movie adaptation was released. Sydney Poitier played Virgil Tibbs, the book’s black police detective, and Rod Steiger played Bill Gillespie, the bigoted southern police chief who needs Tibbs’ help to solve a case. (Steiger won an Oscar for Best Actor in the role.) I never saw the film and also never read the book, until now. I picked up the 2015 Penguin Classics 50th anniversary paperback, motivated not only to read this time-honored story but also curious about its depiction of racism.
While the movie takes place in a fictionalized Sparta, Mississippi, in the book the setting is Wells, South Carolina. In the late hours of night, a murder is committed, and Virgil Tibbs becomes the prime suspect. He’s found in the segregated waiting area of the train station by Officer Sam Woods, who assumes Tibbs committed the crime and is making his getaway. In reality, Tibbs is passing through the town, changing trains on his way home to California, after visiting his mother in the South. It’s obvious the arrest happens because Tibbs is black.
When the gracious Tibbs reveals to Woods and Police Chief Gillespie that he’s employed as a homicide detective in Pasadena, California, Gillespie asks him to help them solve the murder. Gillespie knows his police force, including himself, doesn’t have enough experience to investigate the high-profile case. How the investigation unfolds puts this story in the top ranks of great mystery writing – and also in the top ranks of books about racism. Tibbs never allows Woods, Gillespie and the town councilmen to intimidate him or demean his expertise with all their offensive remarks. His overwhelming courtesy, patience and self-confidence shine a large spotlight on their egregious behavior. They come across as limited and foolish, such as when Woods sincerely wonders how a black man could receive high levels of detective training. Tibbs replies:
“…it may be hard for you to believe, but there are places in this country where a colored man, to use your words for it, is simply a human being like everybody else. Not everybody feels that way, but enough do so that at home I can go weeks at a time without anybody reminding me that I’m a Negro. Here I can’t go fifteen minutes. If you went somewhere where people despised you because of your southern accent, and all you were doing was speaking naturally and the best way that you could, you might have a very slight idea of what it is to be constantly cursed for something that isn’t your fault and shouldn’t make any difference anyhow.”
Author John Ball takes another swipe at Officer Woods’ bigotry via the daughter of the slain man, an Italian conductor who came to Wells to establish a music festival. Woods is enamored with the beautiful young woman, but she puts him in his place with a verbal slap of a comment, when he speaks of racial prejudice as a way of life in the southern states . You can just feel Woods’ reaction of being “acutely uncomfortable” after she says:
“Some people don’t like Italians; they think we’re different, you know. Oh, they’ll make an exception for a Toscanini or a Sophia Loren, but the rest of us are supposed to be vegetable peddlers or else gangsters.”
In the Heat of the Night is a suspenseful murder mystery that offers several surprising twists and turns of events on its way toward the conclusion. All along, I kept trying to guess how it would end, but I was never even close. Published in the 1960’s, the story richly reflects race relations in the Jim Crow American south with a story as memorable as Harper Lee’s To Kill a Mockingbird. The book was named one of the 100 Favorite Mysteries of the 20th Century by the Independent Mystery Booksellers Association.
July 21, 2016
Six Four has caught my attention not as much for the story as for the fact that it sold one million copies in six days in Japan, according to its publisher (via The Guardian). Author Hideo Yokoyama is hugely popular in Japan for his crime novels and often likened to Stieg Larsson, the Swedish author who penned The Girl With the Dragon Tattoo. From The Independent: “Like Stieg Larsson, with whom he has been (unhelpfully) compared, he is a driven workaholic and, like the late Swedish writer, suffered a heart attack after working continuously without breaks for many hours.”
The plot of this immense book (640 pages) is typical crime-novel fare. In 1989, a seven-year-old Tokyo schoolgirl was kidnapped, ransomed and murdered. The killer was never identified or found, and the Japanese public neither forgot nor forgave the botched investigation. In 2002, Inspector Yoshinobu Mikami must arrange a visit by the police commissioner to the girl’s family on the latest anniversary of the crime. Mikami is the police press director. He takes a look at the case file and discovers an anomaly. From the publisher’s book description: “He could never imagine what he would uncover. He would never have looked if he’d known what he would find.”
From what I’ve read about the book in several publications, much of the story is spent delving into police bureaucracy, hierarchy, procedure and corruption. While such detail can be antithetical to what one would expect in a page-turning crime thriller, it sets this book apart. Reviewers agree time invested in the long story is well worth it, claiming readers will find themselves involved, gripped and rewarded. The Guardian calls Six Four a “binge read.”
The Times Literary Supplement writes,“The denouement is surprising, but there are no neat endings to the various strands of this well-written epic tale, which reads beautifully in Jonathan Lloyd-Davies’s translation. Six Four is far more a monument to the idiosyncrasies of Japanese bureaucratic life than it is a simple detective story.”
The Japan Times writes: “Yokoyama’s strength lies in his portrayal of the police: the stifling hierarchy, the politics and duplicity Mikami has to navigate. In true police-procedural fashion Six Four takes its time to reach its conclusion, all the while fleshing out characters who are headed for a denouement that is as original as it is ingenious.”
The Guardian writes: “The plot would grip in any language but, for readers in the west, there is extra fascination in Six Four being not just a police procedural but a guide book to Japan. Some of the local details – such as the cops’ repeated concerns with ‘losing face’ – might have been rejected by an English writer on Japan as too stereotypical. Other material, though, is educationally exotic.”
All of this fascinates me and, given the time, I’d jump into this book for the adventure of it. The Guardian writes: “It’s very different, in tone, narrative and style, from almost anything else out there.” I don’t often read that – or say that myself – about a book. Six Four is Yokoyama’s sixth novel and the first to be translated into English. It’s not been published by a U.S. publisher, but it’s released in Britain by Quercus, translated by Jonathan Lloyd-Davies. You can order it online. Maybe by the time – and if – it arrives in the U.S., I’ll have reading space and be ready for it.